Jone Ferreira
About the Artist
Jone Ferreira, born in 1989 in Ndalatando, Kwanza-Norte Province, is a multifaceted Angolan artist who currently lives and works in Luanda. Ferreira's artistic journey began in his childhood, displaying a natural affinity for sculpture that blossomed into a passionate endeavor by the age of 15, starting with creative transformations of "Power Rangers" masks in his home province.
As a self-taught artist, Ferreira has not only dedicated himself to his craft but also to nurturing the next generation of artists. He is the founder and an instructor at the School of the 'Art Fellowship of the Ecological Motor Union,' where he imparts knowledge in sculpting, painting, and drawing to young enthusiasts. Ferreira's contribution to art extends beyond his own creations; he also teaches Physics, Chemistry, and Theology, underscoring his belief in holistic education for the youth, aimed at enriching Angolan culture.
Ferreira's work as a sculptor is renowned, particularly for his representations of historical figures like 'King Mandume' and 'Queen Nzinga Mbandi' using recycled materials. These pieces were highlighted at the 'Cazenga Festival,' capturing the attention of attendees. His commitment to utilizing recycled materials speaks to a broader message of environmental consciousness, showcasing how art can transform and repurpose waste, thus beautifying spaces and reducing litter in areas like Cazenga.
In 2013, Ferreira took urban art to new heights with sculptures displayed at the 'Historical Memorial of Cazenga.' His innovative approach led to the creation of the 'Garbage Museum' in the Municipality of Belas in 2014, supported by the Ministry of Environment, which underscores the potential of repurposed materials in art.
Ferreira's artistic prowess was further recognized in 2017 with his first official solo exhibition at 'ELA-Espaço Luanda Arte,' introducing the 'The Legend of Transformation' series. His participation in the FNB Jobug Art Fair in South Africa the same year marks his expanding influence, with his works now residing in numerous national and international collections, testament to his growing stature in the art world.